The Feast of Trimalchio,triumph of america, 2009 |
The Feast of Trimalchio, triumph of asia, 2009 |
The Feast of Trimalchio, arrvl of gldn boat, 2009 |
http://www.aes-group.org
The Feast of Trimalchio,
Trimalchio is a character in the Roman novel the Satyricon by Petronius. From the Middle Ages, first published in 1664 CE.
Trimalchio on WikipediaThe Subject as Object :
The Feast of Trimalchio makes the viewer question the human condition, the subjects of the photos are placed within the roles of desire, to own and posses the life we are told to live. Each of the people within the photo are allowing for a critique of that notion, they allow for the viewer to see how the comercial world exploits people and their desires in order to make money. The use of social stereotypes within the photographs allows for a better understanding of forced social image, many of the white people within the work are dressed in all white clothing, a color of leisure and wealth, while black and asian's are in traditional clothing. In some of the photos the stereotypes are reversed drawing attention the the placement of stereotypes in commercial advertisement. Many of the people look as if they were pulled straight from an Izod commercial. This work is a direct critique of this style of advertisement, and allows for the viewer to create their own ideas about commercialism and advertising.
Spectacles and illusions, photography and commodity culture
The work shown in The Feast of Trimalchio, both through the title and the images found within the body of work are commenting on the notions of wealth and power, and the ways in which people choose to live their lives when they have more money than they would ever need. The photographs have many stereotypes found within them, commenting on commercial advertisements for sporting apparel like Izod as well as flipping and intermixing racial stereotypes. The people are shown within the idealized world that is so often shown in advertisement, as well as celebrity culture. This work is a direct comment on that life style and the desire to make your own life fit into this hyper real existence.
Sweet it is to Scan, Kodak and an imposed social role:
The work shown in The Feast of Trimalchio is in some ways commenting on the way commercialism and social class create this desire to fit a role. Much in the same way that Kodak told people how to live there lives during their free time and that a Kodak camera can deliver that life. Now consumerist advertisement is telling you how to live through the clothing you wear and the car you own as well as a million other things you are told about who and how you should live. The work in this series is commenting on that pressure that is placed on people and the feelings created when you fulfill the role they are telling you to play.
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